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Le roi s'amuse: Drama and Melodrama
dc.contributor.author | Mazzocut-Mis, Maddalena | |
dc.date.accessioned | 2018-12-11T09:35:02Z | |
dc.date.available | 2018-12-11T09:35:02Z | |
dc.date.issued | 2017 | |
dc.identifier.issn | 2601-2979 | |
dc.identifier.uri | http://10.11.10.50/xmlui/handle/123456789/5790 | |
dc.description | The Annals of "Dunarea de Jos" of Galati: Fascicle XXV: ARTResearch, Year 1/2017, ISSN 2601-2979 | ro_RO |
dc.description.abstract | For at least three centuries, 'melodrama' has asserted itself as one of the predominant aesthetic categories in literature, theatre, cinema, the vast field of music, etc. It brings with it an easily recognised structure which develops through pairs: misrecognition-agnition; disguise-unmasking; kidnap-recovery; pursuit-revelation; betrayal-punishment, forgiveness; damnation-repentance; pleasure-penitence; damage-revenge; seduction-conquest. | ro_RO |
dc.language.iso | en | ro_RO |
dc.publisher | Universitatea "Dunărea de Jos" din Galați | ro_RO |
dc.subject | drama | ro_RO |
dc.subject | melodrama | ro_RO |
dc.subject | theatre | ro_RO |
dc.subject | cinema | ro_RO |
dc.subject | literature | ro_RO |
dc.subject | music | ro_RO |
dc.title | Le roi s'amuse: Drama and Melodrama | ro_RO |
dc.type | Article | ro_RO |